Portrait of a Patron: The Patronage and Collecting of James Brydges, 1st Duke of Chandos (1674-1744) Susan Jenkins

ISBN: 9780754641568

Published: May 7th 2007

Hardcover

219 pages


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Portrait of a Patron: The Patronage and Collecting of James Brydges, 1st Duke of Chandos (1674-1744)  by  Susan Jenkins

Portrait of a Patron: The Patronage and Collecting of James Brydges, 1st Duke of Chandos (1674-1744) by Susan Jenkins
May 7th 2007 | Hardcover | PDF, EPUB, FB2, DjVu, audiobook, mp3, RTF | 219 pages | ISBN: 9780754641568 | 4.20 Mb

Once described as Englands Apollo, James Brydges, first Duke of Chandos (1674-1744) was an outstanding patron of the arts during the first half of the eighteenth century. Having acquired great wealth and influence as Paymaster-General of QueenMoreOnce described as Englands Apollo, James Brydges, first Duke of Chandos (1674-1744) was an outstanding patron of the arts during the first half of the eighteenth century. Having acquired great wealth and influence as Paymaster-General of Queen Annes forces abroad, Chandos commissioned work from leading artists, architects, poets and composers including Geoffrey Kneller, William Talman, Sir John Vanbrugh, Sir James Thornhill, John Gay and George Frederick Handel.

Despite his associations with such renowned figures, Chandos soon gained a reputation for tasteless extravagance. This reputation was not helped by the publication in 1731 of Alexander Popes poem Of Taste which was widely regarded as a satire upon Chandos and Canons, the enormous new house he was building at Whitchurch. The poem destroyed Chandos reputation as a patron of the arts and ensured that was remembered as a man lacking in taste. Yet, as this book shows, such a judgement is plainly unfair when the Dukes patronage is considered in more depth and measured against the artistic context of his age.

By examining the patronage and collections of the Duke, together with documentary sources and contemporary accounts, it is possible to paint a very different picture of the man. Rather than the epitome of bad taste described by his enemies, it is clear that Chandos was an enlightened patron who embraced new ideas, and strove to establish a taste for the Palladian in England, which was to define the Georgian era.



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